Where to Watch IND vs AUS 1st ODI Live Cricket Score and Live Match Streaming Online at Hotstar App, TV Coverage at Star Sports 1, 3, HDLive Score, India vs Australia, 1st ODI AUSTRALIA 1. Overs Target 1. 64 in 2. OversIndia vs Australia, 1st ODI INDIA 2. Overs India captain Virat Kohli won the toss and opted to bat against Australia in the first of the five match ODI series in Chennais MA Chidambaram Stadium. India have decided to play Ajinkya Rahane as opener alongside Rohit Sharma. Manish Pandey too returns to the No. KL Rahul was left out. Mohammed Shami has got a break while Ravindra Jadeja, who replaced injured Axar Patel, has not been considered for todays match. India are also playing both wrist spinners Kuldeep Yadav and Yuzvendra Chahal. Meanwhile, Australia have handed debut to openerr Hilton Cartwright. James Faulkner and Nathan Coulter Nile are also back for the visitors. It is expected to be a grueling encounter between two fierce rivals. Stay tuned. LIVE UPDATES SCORECARDPlaying XIs. INDIA Rohit Sharma, Ajinkya Rahane, Virat Kohli Captain, Manish Pandey, MS Dhoni WK, Kedar Jadhav, Hardik Pandya, Bhuvneshwar Kumar, Kuldeep Yadav, Yuzvendra Chahal, Jasprit Bumrah. AUSTRALIA David Warner, Hilton Cartwright, Steven Smith Captain, Travis Head, Glenn Maxwell, Marcus Stoinis, Matthew Wade WK, James Faulkner, Pat Cummins, Nathan Coulter Nile, Adam Zampa. When is the India vs Australia 1st ODI match The first of the five ODI series between India and Australia started on Sunday, September 1. Where will the India vs Australia 1st ODI match be played The first ODI between India and Australia will be played at MA Chidambaram Stadium in Chennai. Ramayana-The-Epic-2010-Free-Movie-Download-HD-DvDRip-.11.jpg' alt='Ramayana: The Epic Movie In Hd' title='Ramayana: The Epic Movie In Hd' />Live Cricket Score, India vs Sri Lanka 5th ODI Where to Watch IND vs SL 5th ODI Cricket Match Streaming Online and TV Coverage India vs Sri Lanka 2017, 5th ODI When. The first of the fiveODI series between India and Australia started on Sunday, September 17. Where will the India vs Australia 1st ODI match be played The first ODI. While many of our custom made trainers are reserved for Cheat Happens Premium members, we also create and release many FREE TRAINERS each month. Masih banyak lagi Account Options. Masuk Setelan penelusuran. Prparez votre voyage grce aux recommandations des voyageurs. Partagez votre exprience et comparez les prix sur MonNuage. Get Mobile Ringtones for all the movies listed on this page. This page list all movies Mobile Ringtones available in mp3 format. Padayappa is a 1999 Indian Tamillanguage drama film written and directed by K. S. Ravikumar. The film features Sivaji Ganesan, Rajinikanth, Ramya Krishnan and. What time does India vs Australia 1st ODI match start The first ODI between India and Australia has started at 1 3. IST and the toss will happen at 1 0. IST. For all the Live updates, tune into www. Where can I watch India vs Australia 1st ODI match live The 1st ODI between India and Australia will be broadcast Live on Star Sports Networks. The TV channels that will show the match Live are Star Sports 1 and 3, Star Sports 1 and 3 HD. Where can I watch online live streaming of India vs Australia 1st ODI match You can watch live streaming of India vs Australia match online on Hotstar App. You can also follow Live updates and Live Score, Ball by Ball Commentary on www. Sita Sings the Blues Wikipedia. Sita Sings the Blues. Poster for Sita Sings the Blues. Directed by. Nina Paley. Produced by. Nina Paley. Written by. Nina Paley. Starring. Sanjiv Jhaveri. Nina Paley. Deepti Gupta. Debargo Sanyal. Reena Shah. Pooja Kumar. Aladdin Ullah. Narrated by. Aseem Chhabra. Bhavana Nagulapally. Manish Acharya. Music by. Annette Hanshaw et al. Release date. February 1. Berlin International Film FestivalRunning time. Country. United States. Language. English. Budget2. 90,0. 001Sita Sings the Blues is a 2. American artist Nina Paley. It intersperses events from the Ramayana, light hearted but knowledgeable discussion of historical background by a trio of Indian shadow puppets, musical interludes voiced with tracks by Annette Hanshaw and scenes from the artists own life. The ancient mythological and modern biographical plot are parallel tales, sharing numerous themes. The RamayanaeditThe film uses a pared down adaptation of the legend that retains many of its finer details while adopting a perspective sympathetic towards Sita in the directors words, the film is a tale of truth, justice and a womans cry for equal treatment. The plot joins the legend at the exile of prince Rama from his fathers court, at the behest of his fathers favorite queen, Kaikeyi. Having earned the right to any single favor by saving the kings life, Kaikeyi attempts to secure her own sons inheritance over the eldest and favorite, Rama, by ordering him banished from the court. Sita, Ramas wife, determines to accompany her beloved husband, although the woods are dangerous and overrun with demons and evil spirits. The demon king Ravana, encouraged by his spiteful ogress sister, hears of Sitas beauty and determines to kidnap her. He sends a golden hind past their dwelling to distract Rama, who tries to impress Sita by hunting the hind into the woods. In his absence, Ravana abducts Sita and demands that she submit to him on pain of death. Sita remains staunchly devoted to Rama and refuses to entertain the idea Ravana sets a deadline for the ultimatum and Sita waits faithfully for Rama to rescue her. Aided by the monkey prince Hanuman, Rama eventually discovers Sitas location and brings the monkey army to assist in her rescue. Ravana is slain and Sita restored to her husband, although he expresses serious doubts concerning her fidelity during her confinement. She submits to a trial by fire, a test of her purity upon throwing herself into the flames, she is immediately rescued by the gods, who all proclaim her devotion and fidelity. She accompanies Rama back to the palace, and soon falls pregnant. Lingering doubts still play on Ramas mind, however, and after overhearing one of his subjects beating and ejecting an unfaithful consort claiming he is no Rama to accept and forgive her unfaithfulness, he orders his reluctant brother Lakshman to abandon Sita in the forest. In the company of ascetics she gives birth to her sons and raises them to love and praise their absent father. Years later, Rama overhears their hymns of adoration to their father and locates their dwelling. Distressed and disappointed by Ramas continuing doubt on her purity during her reunion with Rama, Sita prays to the earth to swallow her as final proof of her purity and devotion and the prayer is duly answered, despite the pleas of Rama and Lakshman. Contemporary paralleleditIn an episode taken from the directors own life,2 animator Nina Paley starts the film living happily in a San Francisco apartment with her husband and cat. Her husband then accepts the offer of a six month contract working in Trivandrum, India, and moves there alone to take up the position. After a month of no contact, he calls to inform his wife that the contract has been extended another year. Bewildered by his callous indifference to their separation, Nina sublets their apartment, leaves their beloved cat behind and joins her husband in India. Upon her arrival he appears deeply unenthusiastic to be reunited and demonstrates neither affection nor sexual interest. A while later, Nina flies to a meeting in New York, where she receives a brief e mail from her husband telling her that their relationship is over. Sad and alone, she stays in New York, finding comfort in a new cat and her study of the Ramayana. Style and narrativeeditThe film uses several different styles of animation to separate and identify the parallel narratives. Episodes from the RamayanaeditEpisodes with dialogue from the Ramayana are enacted using painted figures of the characters in profile, which strongly resemble the 1. Indian tradition of Rajput painting. The Rajput style of brush painting was principally enacted on manuscripts and commonly employed in the telling of epics such as the Ramayana. In the film they serve as a more traditional style of dramatic narrative, although the dialogue is frequently ironic, inappropriately modern or otherwise humorous. The background in each scene is usually static and the poses of each character are kept minimal, with movement achieved by simply transporting the character across the screen in its set position. Speech is enacted by alternating the set pose of the face with a slightly liquified version where the jaw is lower. The shadow puppet narrators discuss Ramas attitude towards Sita after her trial by fire. Narration and discourse on the RamayanaeditAseem Chhabra, Bhavana Nagulapally, and Manish Acharya provided the voices for three silhouettes, traditional Indian shadow puppets. They link episodes of the Ramayana with a lively, unscripted, discussion of their personal impressions and knowledge of the epic. They provide context and commentary for the story, which has innumerable incarnations and regional variations. The voices are clearly contemporary and somewhat irreverent, unlike their visualisations, which further establishes the theme of contrast between ancient tragedy and modern comedy 5Chhaya Natak shadow theatre, for example, was commonly used in retellings of the Ramayana. During these sections, the ideas and contradictions raised over the course of the puppets discussions are visualised in animated photographic compositions in the background. Sita mourns her privation from her husband and his callous behaviour towards her. Musical episodes from the RamayanaeditEpisodes set to certain songs performed by jazz singer Annette Hanshaw are visualised, with Sita as the singing performer, using the strikingly modern technique of vector graphic animation. The slick, bold style driven by digital animation software is at odds with the somewhat rustic quality of the old musical recordings but allows close synchronisation with the vocals. The smooth, repetitive, side scrolling movement it effects assists in suspending the musical episode from the more consistent narrative plot. On her arrival in India, Ninas husband seems distant. Contemporary paralleleditThe modern, more personal element to the contemporary part of the story is narrated using the rough, energetic Squigglevision technique of traditional animation. It conveys the kind of restlessness inherent in the story and achieves a more light hearted, universal tone with its simple, highly stylised renderings of character and environments. ProductioneditThe production was largely completed by Nina Paley, with support from Jake Friedman in the Battle of Lanka scene,7 primarily using 2. D computer graphics and Flash Animation. In addition to the central numbers recorded by Hanshaw, music was provided by Rohan, Rudresh Mahanthappa, Nik Phelps, Todd Michaelsen and Reena Shah of the duo My Pet Dragon and by Pierre Jean Duffour, composer and musician for the band Masaladosa. Puppy! Downloading on this page. Reena Shah contributed the voice of the Sita character, in addition to choreographing and performing the dance sequences rotoscoped by Paley for the animation. Paley estimated her total hours of work on the film to 9,3. Copyright problemseditThe film uses a number of 1.